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NEDA Symposia & Clinics - Spring Symposium |
2010 Spring Symposium with Bettina Drummond April 30 - May 2 Apple Knoll Farm, Millis, MA Click here for schedule with Riders Walk-In Rates applicable after April 10, 2010 |
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| Walk-in Full Day: 3 Day - NEDA Member Only - Walk-In Package price, $185 Friday: $65 NEDA Member, $85 non-member, $45 JR/YR Saturday: $75 NEDA Member, $95 non-member, $55 JR/YR Sunday: $75 NEDA Member, $95 non-member, $55 JR/YR Walk-in Half Day (AM or PM): Friday: $35 NEDA Member, $45 non-member, $25 JR/YR Saturday: $40 NEDA Member, $50 non-member, $30 JR/YR Sunday: $40 NEDA Member, $50 non-member, $30 JR/YR |
In an effort to keep auditing costs down, a silent auction will be held over the course of Spring Symposium. Proceeds from this auction will go to help fund the NEDA Education Programs with a portion also going to start a Symposium Scholarship. We would like to thank the sponsors of this Inaugural Silent Auction: Dressageclinic.com Mushroom Matrix Draper Therapies Kartush Jewelry Equine Journal Ride for the Cure MA Debbie Carr-Kirk Kate O'Connor Ruth Shanahan Jo-Ann Wilson Liz Callar Fox Glove Sheath Cleaner |
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Bettina is considered one of the world’s foremost
experts in work in-hand and she’ll be demonstrating the
benefits of this skill for horses of all breeds and disciplines.
The in-hand demonstrations will
provide riders with exercises
aimed at addressing specific
needs, such as building up the
topline, relaxation and flexion
techniques for more nervous horses,
as well as exercises for developing
high-school balance. On Friday, participants will travel back in time and experience first-hand how the French system was actually taught in an academic setting when Bettina recreates a day spent in an academic riding school. By the end of the day, participants will understand the role of the French system in launching modern dressage training systems. Friday will be, in a sense, a day-long course in dressage history in which participants will learn about the roots of the French system, see demonstrations of 18th and 19th century techniques and will end the day seeing an application of those techniques to modern dressage. Day two, on Saturday, will focus on application of the theory discussed the day before with Bettina demonstrating her skill at in-hand work for strengthening weaknesses in joints and suppling the midsection and lowering the croup of the horse. Ground exercises and training patterns will be introduced that are used by traditionalists like Bettina to improve the chiropractic health and physical strength of horses. A special feature will be a lecture, written by Gen. Pierre Durand, a French Olympian and former head of the France’s famous Saumur, combined with video footage from Bettina’s training with Oliveira. The day will also include an open forum in which participants can engage in discussion with Bettina on riding and training theory and technique. The final day of the symposium pulls it all together as Bettina demonstrates techniques, both from assistance on the ground and from the saddle, on perfecting more complicated movements such as passage, piaffe and pirouettes. “Finesse” is a word widely used by Bettina to describe a requirement of higher-level riding and how to achieve this perfection that results in lightness, roundness and increased suspension will be a focus of the final day. This last day will draw from Bettina’s years of experience as an exhibition rider with skill in developing exhibitions to music. Here she will draw the connection between the art and sport of dressage, showing how the craft of riding has been grafted onto the modern sport of dressage. She’ll demonstrate her technique for developing musical kur as she teaches participants such important aspects as how to sculpt artistic lines in the horse and develop beauty and fluidity. In other words, participants will witness the techniques used to create riding art that is pleasing to the eye and to the horse. Riders interested in participating should keep in mind that Bettina’s main interest is in searching for those riders who seek a greater communication with their horses and who share an interest in exploring classical techniques that lead to a more artistic and beautiful expression and flow. Hence, level of rider and horse is of less importance than a desire to find the true art in riding. And it matters not the breed or discipline. This is a symposium that truly will reach out to all riders, so don’t miss this year’s NEDA Spring Symposium with Bettina Drummond! |
![]() Bettina with her Quarterhorse stallion Vousy Work in-hand was a fundamental part of the training of horses for centuries. And yet, in modern times, this important piece of equestrian education has been relegated to the sidelines, generally used by only a handful of classical trainers. The result is that the average rider views work in-hand as something that is complex and to be used only for horses at the highest levels of classical training. How wrong they are. Classical trainer Bettina Drummond is a recognized expert on in-hand work – she has produced two “how-to” videos on the subject (Work In- Hand I and II) – and as the featured clinician for NEDA’s 2010 spring clinic, Drummond will be demonstrating some of her work-in-hand techniques. She’s a strong believer that in-hand work can not only be simple, but fun. And contrary to belief, in-hand work is just as beneficial for the backyard trail horse as it is for the horse trained to airs above the ground. “It’s an easy, fun and constructive way to strengthen the horse in preparation for further work and more importantly, for learning to relate to your horse,” Drummond said. “Work in-hand is meant to be non-confrontational. It teaches both you and the horse to relax.” And indeed, relaxation is the central premise of work in-hand exercise. It’s all about moving slowly and quietly, stopping frequently for a moment of relaxation before taking the next step. “The main thing with work in-hand is not to get upset with the horse when it goes wrong. It’s better to stop and regroup and then go on,” Drummond says. She likens proper work in-hand to proper grammar. “You don’t let your sentences run on. You use punctuation.” Drummond says that one of the best things about work in-hand is that you can make mistakes and then fix them, before causing damage to your horse. That makes it the most perfect way for you and your horse to experiment with one another, learn about each other and figure out how to work together. Attendees at the 2010 spring clinic will get an inside look at how Drummond starts young horses on the road to success from the ground and one of the demo horses for this important lesson on ground work will be her fabulous Quarter Horse stallion “Vousy.”
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If you or your company would like to be involved in this prestigious
event as a sponsor or vendor |
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